Friday, 7 February 2014

Analysis of a thriller - Face Off


Face off

The use of blue filters in the opening scene at the fairground where John Travolta and his son are on the carousel washes out the bright greens of the trees and the grass, and the blues and the reds of the balloons, and also makes the horses look sombre, not colorful or happy. It makes the scene seems cold, dull and sinister, which is contrasted to the usual assumption that it should be colorful and happy filled with children. The picture below shows an example of the blue filter dulling the colors and setting the atmosphere. 

At the fairground; the use of slow motion, music, lighting, and lack of people give it a very ominous feel. Carousels are often featured in horrors and crimes in this genre, as they involve innocent children as opposed to dangerous criminals who make the film more serious and interesting, establishing the genre further. 

Then an overlay screen text says 6 years later, and a big police department in the city where John Travolta is a high ranking detective is shown. This represents the thriller genre as most crime thrillers are set in the city where there are tall buildings and busy roads; also the main character fits the thriller hero character type as he’s a middle aged man who is the good reflection of the villain. 

There’s then a cut to Nicholas Cage in slightly chiaroscuro lighting as he is committing a crime at a bug convention center in the city. This establishes Nicholas Cage as the villain as he is not only committing a crime, but he is doing so in a place filled with innocent, good, happy people, and showing no mercy.

John Travolta is a chief detective, who is the typical age and gender of the hero. We see that he had a loving and close relationship with his son, and that the death of his son has impacted his life massively by putting strain on his marriage, and giving him a personal motive of revenge to catch the villain. Nicholas Cage is all dressed in black with religious connotations which could either show he commits crime through extreme religion, or he is just trying to blend in at the convention centre. His actions are over the top and appear to be a little manic. He seems more like an action movie villain. 

Non-diegetic music is played as we watch John Travolta and his son together at the carousel. This music is melodic and quite pleasant but sombre. As Nicholas Cage appears on screen it becomes darker and more dramatic with deep bass sound effects. At the bullet is shot the music stops and the extremely emphasised partially diegetic sound effect of the bullet flying through the air is heard, and echoes. Then we hear the pained cry of the carousel horse, and then sounds of crying and disbelief as John Travolta learns his son is dead. 

The music then takes us to a sound bridge where six years later appears on screen, and more conventional thriller, orchestral music is played. At first, the choir noise is non-diegetic as it is seen and not heard, however it acts as a sound bridge to the diegetic noise when the choir appears on screen. As there is a medium close up of John Travolta the opening music is reprised which shows us he’s still thinking of his son.

The use of slow motion is to establish a close relationship with his son, while also making it slightly eerie/disturbing/mysterious. There is an extreme close up of the gun sight to show impending violence. There’s then a close up on the horse with blood on it, which emphasizes the fact that the bullet has in fact gone straight through the man and the child. There is then a long shot of the balloons floating away, which represents the loss of life. After the fade to six years later, there’s a close up of John Travolta still emotional and angry, grieving for his son. We then see all of his plaques and awards.

The titles start with a classic sans serif font, on a black background. They fade in from a blur, and then out again back to a blur. This signifies mystery, and then things from the mystery becoming clearer, and resolved. 

The names of John Travolta, Nicolas Cage, and the title of the film ‘Face Off’ are over laid in bold. The first word of the two comes forward and enlarges as the second word of the two reduces. For example, ‘John’ would come forward and enlarge whilst ‘Travolta’ would reduce in size and appear to go back. The aim of this is to signify and emphasize the films main themes, which is swapping identities, and the binary oppositions of good vs evil.

The link to the opening scene which I analysed follows.
https://www.youtube.com/watch?v=jNOvfuybPao

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